Whitaker offers several interconnected storylines, and while each one individually appealed to me, I felt a growing lack of connection to the characters as the tales melded into another: young friendship, serial killer, outlaw search, small-town intrigue, and longtime mysteries revealed.
Chris Whitaker's novel All the Colors of the Dark builds a story of a deep friendship between two young outcasts in small-town Monta Clare, Missouri: Patch, a pirate-playing young man missing one eye, whose mother is unreliable and a substance abuser; and Saint, a tomboy raised by her fearless grandmother.
A kidnaper and serial killer intrudes on the quiet community and directly impacts Patch and Saint. The horrifying crimes seems to be motivated by religious fanaticism, and both Patch and Saint's futures are shaped by their ties to the darkly disturbing events.
I adored the early building of the deep connection and affection between Saint and Patch. And I was intrigued by the disparate-seeming story that soon emerges, beginning with the premise of a serial killer whose actions haunt our main characters and whose horrifying spectre looms over them.
There's yet another somewhat separate-feeling story of an outlaw, and a study on prison life, as well as an extended look at a life spend in law enforcement and seeking justice. There are deep betrayals, long-term mysteries, and, finally, many revealed truths (some of which you may anticipate, including the biggies). Each of these storylines would be one I'm interested in, and Whitaker offers a fascinating interconnectedness between them.
But the storytelling frequently felt scattered to me, with overly dramatic moments, abrupt statements that are seemingly meant to add impact, and what felt like self-conscious attempts to be offbeat. Characters frequently offer grand speeches to each other about how the world works, and these didn't feel genuine or likely to me.
A key character gives up everything to relentlessly seek out a dreamlike possibility of something that might be real, and this didn't sit comfortably with me after the early devotion illustrated between our main protagonists and the character growth evidenced in the meantime. This character's youthful romantic relationship, whose impact becomes pivotal in some ways, also didn't feel real to me.
Yet the cast of characters is colorful, and I enjoyed the time I spent with them.
I received a prepublication edition of this title, which was published June 25, courtesy of NetGalley and Crown Publishing.
Do you have any Bossy thoughts about this book?
Chris Whitaker is also the author of We Begin at the End, a novel I adored.
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